‘Brilliantly imaginative’—Tom Service, The Guardian
‘A striking musical imagination’—Paul Driver, The Sunday TimesComposer James Olsen, born in London in 1982, has seen performances of his music by leading international orchestras and ensembles in the UK and continental Europe including the London Symphony Orchestra, the London Sinfonietta, the Philharmonia Orchestra, the Britten Sinfonia, Deutsches Symphonie-Orchester Berlin, the BBC Singers, the Galliard Ensemble, Tête à Tête opera and Minguett Quartet and by, amongst others, George Benjamin, Martyn Brabbins, Nicholas Cleobury, Clio Gould, Dominic Grier, Timothy Henty, Rolf Hind, Gweneth-Ann Jeffers, Simon Lepper, Sarah Leonard, Tim Mead, David Porcelijn, Nicholas Rimmer and Paul Watkins.
James first came to attention at the age of 16, when his wind quintet Imbroglio was performed by the Galliard Ensemble at the South Bank Centre and released on the ensemble's debut commercial CD; Gramophone magazine described the piece as ‘an uncommonly assured and thoroughly engaging essay from a precocious figure’ and The Times declared him a ‘great British hope’. He read music at King’s College, Cambridge, where he gained a double starred first, and studied composition with Wolfgang Rihm in Germany and with Julian Anderson, Colin Matthews, Robin Holloway, Michael Finnissy and Adam Gorb in the UK.
He has received commissions from, amongst others, the BBC, the Britten-Pears Foundation, the Britten Sinfonia, Deutsches Symphonie-Orchester Berlin, Klangspuren Schwaz, the London Sinfonietta, the London Symphony Orchestra, Tête à Tête opera and Wigmore Hall.
Three commerical recordings of his music have been released, including a recording of Chameleon Concerto, performed by Clio Gould, Rolf Hind and the London Sinfonietta and conducted by David Porcelijn, which was released as part of the London Sinfonietta’s Jerwood Series on NMC. James’s music has been broadcast by BBC Radio 3 in the UK and by DeutschlandRadio Berlin and Kulturradio in Germany.
His arrangement of Mahler’s Des Knaben Wunderhorn songs for voice and chamber ensemble were first performed by Ann Murray DBE, Simon Keenlyside, the Belcea Quartet and others conducted by Paul Kildea at Wigmore Hall, and was subsequently performed on tour around continental Europe by the London Sinfonietta conducted by David Atherton.
James received a PhD in musicology in 2009 from the University of London with a dissertation on ‘Understanding The Rite of Spring through the Creative Responses of Listeners’ supervised by Professor Nicholas Cook. He supervises undergraduates at the University of Cambridge, where he teaches composition and topics in the history and analysis of music from 1700 to the present.
Projects for 2019 include a 'composed liturgy' commissioned by Ely Cathedral for 250 schoolchildren to perform alongside Ely Cathedral choir and members of the Britten Sinfonia, and a large work commissioned by the Bournemouth Symphony Orchestra to commemorate the 75th anniversary of D-Day and performed as part of the national commmemorative events in Portsmouth on 7 June, scored for children's choir, 4 children narrators, 11 professional musicians from the Bournemouth Symphony Orchestra, an orchestra of community musicians and live video. Other recent projects include the second children's opera in his #lionopera project, a full-length music theatre piece commissioned by the German School London, a piano trio commissioned by Trio Gaspard, an oratorio for three choirs and orchestra commissioned by the Worthing Philharmonic Orchestra, and a new work for the choir of Kremsmünster Abbey in Austria.
He is the founder of music publishing and promotion company Olsen Verlag, and publishes a weekly vlog on YouTube to give aspiring young composers and musicians an insight into the life of a professional composer.